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Records of the magazine Adam International Review and its editor, Miron Grindea, 1941-1995, and associated papers dating back to c1903, consisting of a wide range of material dealing with aspects of British and European cultural activity, particularly since the 1930s, and relating to art, literature, music, literary criticism, and the history of ideas. The archive includes the Adam International Review , issues 152-499 (wanting 186, 210-211, 218, 224-228, 331-54), 1941, 1946-1988, and indexes; microfilm copies of nos 13-14, 65, 148-149, 151, and issues dating from 1936 and 1938; and published copies of Christopher Fry, 'Genius, Talent and Failure: the Brontes' (The Adam Lecture 1986); Yehudi Menuhin, 'Tolerance' (The Adam Lecture 1987); Frances Stern, 'A Concordance to Proust' (Adam Books, 1987); 'Miron Grindea 1909-1995: a Celebration'. Unpublished papers of the Review were created by or relate to many prominent writers, artists and musicians of the 20th century including Natalie Clifford Barney, Samuel Beckett, Max Beerbohm, Nicolas Bentley, Isaiah Berlin, Edmund Blunden, Agatha Christie, Jean Cocteau, Ivy Compton Burnett, Cyril Connolly, Benedetto Croce, Cecil Day-Lewis, Lawrence Durrell, T S Eliot, George Enescu, E M Forster, Christopher Fry, William Golding, Duncan Grant, Robert Graves, Graham Greene, L P Hartley, Storm Jameson, Augustus John, Arthur Koestler, F R Leavis, Rose Macaulay, Compton Mackenzie, Thomas Mann, Katherine Mansfield, Walter de la Mare, John Masefield, Somerset Maugham, Yehudi Menuhin, Arthur Miller, Henry Miller, Joan Miro, Henry Moore, Iris Murdoch, Pablo Picasso, Anthony Powell, J B Priestley, Marcel Proust, Herbert Read, Jean Rhys, Ralph Richardson, Vita Sackville-West, Jean Paul Sartre, Siegfried Sassoon, Ronald Searle, George Bernard Shaw, Georges Simenon, the Sitwell family, C P Snow, Stephen Spender, Frances Stern, August Strindberg, Dylan Thomas, Arnold Wesker, Angus Wilson, Stefan Zweig, and others. Other material relates to the management of the magazine and includes editorial material (notes, proofs, preparatory research material, and correspondence required for production of an issue) and papers relating to circulation. The material is varied in form and comprises correspondence, manuscripts, typescripts, proofs with author's and editor's corrections and printed documents, including poems, stories, and criticism, both published and rejected for publication; photographs; original drawings and illustrations; news cuttings and other ephemera such as programmes for events; tape recordings including the Adam lectures, 1985-1987; and interview transcripts.

Papers of Jeremy Adler, 1975-2002 chiefly comprising research notes for publications by Adler and photocopies of concrete and visual poems. Includes papers relating to Franz Baermann Steiner, poet, including correspondence and papers on Steiner and his circle, 1995-1999; photocopies of Steiner's writings, photocopies of letters to Steiner; photocopies of Stiener's appointment diary, 1950-1951; Stiener's thesis entitled 'A Comparitive Study of the Forms of Slavery', 1950 and 'Prologomena to A Comparitive Study of Slavery', a shortened version of the original thesis, edited by Paul Bohannan, 1957. Correspondence and papers on concrete and visual poetry, 1982-1987 including with Piotr Rypson and Dick Higgins. Papers relating to August Stramm, poet, including publications on Stramm, papers from the Stramm working seminar, 1973-1974; notes by Adler on Stramm's poetry; photocopies used by Adler when researching Stramm, chiefly relating to World War One, from German archives and the Imperial War Museum. Research notes on topics including Shelling, 1984; eighteenth century literature and science; Paracelsus; love and war poetry; language and Caballa; and romantic science. Adler's PhD thesis 'A study in the chemistry of Goethe's novel Die Wahlverwandtschaften ', University of London, 1977 and correspondence on and photographs of Die Wahlverwandtschaften by Goethe. Copies of figured poems from Herzog August Bibliothek, Wolfenbüttel. Draft copies of Adler's Changing forms of Visual Poetry with related correspondence. Programmes for art and poetry exhibitions and events; personal files of Adler's PhD students, 1980-2002; slides and negatives used for lectures; negatives of visual poems; card indexes and videos.

Manuscript volume containing translations of poems by various authors from the German by members of the Department of German, collected by Professor Atkins, 1915-1938.

Papers of Geoffrey Bullough, [1957-1975] contain typescript proofs of publications edited by Bullough. The collection contains annotated galley proofs from Bullough's Narrative and dramatic sources of Shakespeare (Columbia U.P, 1957 and later editions), notably including two copies of The Tradegie of Antonie by Robert Garnier, translated by Mary Herbert (1595) and two copies of The Troublesome raigne of King John (anonymous, 1591); carbon copy of The Taming of the Shrew [edited 1957-1975], which includes pencil annotation 'check this with original text'; annotated photocopy of Rosalynde. Euphues Golden Legacie by Thomas Lodge, (1592) [edited 1957-1975], perhaps suggesting that Bullough intended to edit this work; University of London BA examination paper for internal and external students in English, 1974 and University of London BA general examination paper for external students in Middle English 1300-1525, 1974.

Volume containing a compilation of poems and narratives, composed by, Pedro António Joaquim Corrêa Garção (1724-1772); José Anastácio da Cunha (1744-1787), mathematician and poet; Sebastião José Ferreira Barroco (1777-1802); Luiz Pinto de Sousa Coutinho Balsemão (1735-1804); João Xavier de Matos (d 1789); Francisco José de Sales; Damiaó José Saraiva; Domingos dos Ras Guitta.

The collection comprises correspondence, British Library readers' book application slips, manuscript notes on the life and career of the poet, Ben Jonson, and press cuttings; notably including letters to Arthur Diplock concerning the poetry of Jonson and of William Drummond, 1903; manuscript notes, in particular extracts from Jonson's poems, reference to the work of John Selden, John Donne and Henry Holland, lists of various editions of the works of Jonson, [1903]; British Library book application tickets for books by Jonson, signed by Diplock, 1903; press cuttings on Drummond from Reynolds's miscellany and other journals, [1857].

Private papers of Duffy, [1960-1994], mainly comprising typescripts, manuscripts and proofs of her novels, plays and poems including The single eye (Hutchinson, London, 1964), The erotic world of faery (Hodder and Stoughton, London, 1972), Capital (Cape, London, 1975), Gor saga (Eyre Metheun, London, 1981), Illuminations (Sinclair-Stevenson, 1991), Occam's razor (Sinclair-Stevenson, London, 1993), and Henry Purcell (Fourth Estate, London, 1994); notes, reviews, performing scripts, talks and related material concerning her writings.

Correspondence, 1968-1973, relating to Johnson's work as Poetry Editor of Transatlantic Review , and English translations by Johnson and Ned Thomas of Welsh language poems by David Gwenallt Jones; typescript of Travelling people, 1963. First edition copies of House Mother normal: a geriatric comedy (Collins, London, 1971), Travelling people (Constable, London, 1964), and The unfortunates (Panther, London, 1969).

The collection mainly comprises correspondence, manuscript poems by George MacDonald, photographs, material relating to the membership of the George MacDonald Society and the publication of its journal, North wind , papers relating to plays performed by MacDonald and his family, and offprints of articles and ephemera including lecture timetables, 1845-1997, mainly compiled by Mrs Freda Levson; notably including original correspondence addressed to MacDonald and copies of letters from family members and friends such as his wife, Louisa Powell MacDonald, and John Ruskin, principally on MacDonald's health problems, Octavia Hill, Ruskin's relationship with Rose La Touche, MacDonald's preaching technique and on aspects of theology including the doctrine of providence, 1845-1932; correspondence between members of the Troup family, friends of the MacDonalds, including Charles Edward Troup and Frank Troup, with photographs and extracts from the Troups' published works, 1883-1995; correspondence with William Raeper, author of a biography entitled George MacDonald (Tring, 1987), compiled during its research, including with Lion Publishing, with surviving family members, and with libraries, notably the British Library and Yale University Library, 1984-1987; correspondence with Freda Levson and Richard MacDonald, descendants of George MacDonald, 1970-1982; photographs of MacDonald and family, his various residences and of visits by the George MacDonald Society to Bordighera, Italy, [1860-1986]; manuscript poems by MacDonald, 1876-1887; material relating to the staging of Pilgrim's progress and other drama by MacDonald, 1877-1977; copies of contributions to the journal of the George MacDonald Society, North wind , with proofs of the journal and supporting documentation, 1976-1996; press cuttings and reviews of publications and lecture tours by MacDonald, and of modern editions of his work, 1871-1997; timetables of lectures delivered by MacDonald, copies of library holdings of manuscript material on MacDonald, 1869-1985.

Papers of Alice Christiana Gertrude Meynell, 1875-1878 and 1941, comprise a book and correspondence; namely a copy of Meynell's book Preludes that she gave as a gift to the poet Robert Browning (1812-1889), in which Browning has inscribed his name and a note reading 'from the author', dated 7th June 1878.

The correspondence section comprises a letter from Browning to Meynell thanking her for giving him a copy of the book and praising the beauty of many of its poems, 1878; a letter from Wilfrid Meynell to Albert Arthur Cock (1883-1953) apologising for being unable to accept an invitation to attend some lectures and making reference to 'hundreds of German planes on their way to London and other large countries', 1941. The letters within the collection had previously been enclosed within the book which was gifted by Cock to King's College London.

Records, 1961-2000, relating to the original and new series of the periodical Modern Poetry in Translation and associated projects. The material pertains to languages including Afrikaans, Bulgarian, Chinese, Czech, Danish, Dutch, Finnish, French, German, Greek, Hebrew, Hungarian, Icelandic, Italian, Japanese, Norwegian, Persian, Polish, Portuguese, Rumanian, Russian, Spanish, Swedish, Turkish and Yiddish. Publications comprise issues 1-44 of the magazine, 1965-1982, covering poetry from a wide range of sources including countries in Europe, the Middle East, Central and South America, Asia and Russia; MPT Year Book (1983); MPT programme for Poetry International 71 (1971); Poetry World (1986); and an Anthology of Twentieth Century Russian Poetry (1974), edited by Max Hayward and Daniel Weissbort. There are also files of translated poems, undated, from sources including various countries in Europe, Central and South America, and Asia. The bulk of the records comprises correspondence, covering all aspects of MPT 's organisation including discussion with publishers, printers and distributors; decisions on the content of future issues and work by guest editors; correspondence with translators on specific projects and the general theory of translation; and many letters from translators offering their services, demonstrating the wave of enthusiasm of which MPT was part. The first series of correspondence, covering 1961 to 1984, relates to issues 1-6 (1965-1969, when MPT was published by Cape Golliard) and includes files on particular countries and related translators; organisations including the Arts Council and Gulbenkian Foundation; individuals including Ted Hughes and his involvement with MPT ; distribution in Britain and America. The second series, 1966-1984, relates to the independent production of the magazine from 1969 and also to the Year Book (1983), and comprises some files on particular countries and their translators but also more general files covering aspects of production and admininstration over particular periods. The third series, 1964-1984, relates to translation projects in which Daniel Weissbort, editor of MPT , was engaged outside MPT . Subsequent deposits relate largely to the revival of MPT from 1992 and include papers on MPT , 1978-2000, among them translations, correspondence, reviews, biographical information and ephemera; papers relating to Poetry World after its launch in 1986; files relating to new series issues of MPT , comprising correspondence and translations; printed material including issues 1 and 2 of the new series, 1992; and working papers of Professor Norma Rinsler, 1993-1994 and undated, relating to the MPT new series and the Second International Poets Festival in Jerusalem, 1993, and including typescript poems and information on poets.

Collection of Frida Mond relating to German literature including poems and letters, 1794-1831, by and concerning Johann Wolfgang Von Goethe and a manuscript page (undated) of Wilhelm Tell by Johann Christoph Friedrich Von Schiller; portraits, busts and reliefs of Goethe and Schiller, some of which (including some photographs) are copies of original material held elsewhere; other relics and memorabilia relating to them, some postdating their deaths; and relics comprising jewellery, clothing, hair, possessions and portraits of Lotte Buff (Charlotte Buff, 1753-1828, friend of Goethe 1772).

The archive includes the papers, correspondence, diaries and manuscripts, recordings, research material and publications of Professor Eric Mottram and spans the period 1928-1995. Covering his own creative work and academic publications, it also reflects his wide-ranging cultural investigations in the field of twentieth century American and English literature, film, music, art, theatre and popular and material culture. A major series of files about named authors and poets covers figures as diverse as Robert Creeley, Robert Duncan, Allen Ginsberg, Michael McClure, Charles Olson, Ezra Pound, Jerome Rothenberg, Muriel Rukeyser, William Burroughs, Basil Bunting, Bob Cobbing, Roy Fisher, Bill Griffiths and Tom Raworth. Also of particular importance are a series of original tape recordings, mainly made by Mottram, of poets reading their work. Linked to this material is a rich series of little press publications and little magazines. The two chief aspects of Mottram's own work are reflected in his artist notebooks and essays. The former run from 1979-1988 and contain draft poems, notes on a whole range of research topics, with inserts of postcards, press-cuttings, photographs, cartoons, artworks and postage stamps to create a rich wallet of collage effects. The essay series, including published and unpublished material and supporting notes, reflects his wide-ranging contribution over nearly half a century to the teaching of American and English literature. Major groupings within the archive are as follows: personal papers including appointment diaries, 1951-1995, and correspondence with Ted and Joan Wilentz, 1963-1994; papers reflecting Mottram's own poetry including notebooks, and manuscripts, 1956-1995; papers reflecting his publications including reviews and collaborations, 1952-1988; editorial papers notably for The Poetry Review; correspondence with and/or papers relating to twentieth century creative writers, 1928-1998; little press publications, 1954-1998;little magazines, 1942-1998; papers relating to academic teaching, research and administration, [1952]-1994; Mottram's essay texts and associated material, 1947-1995; promotional material for literary events and from publishers, 1945-1958; artworks and posters, 1953-1994; photographs by Mottram, 1950-1995; and recorded material notably including original recordings of poets from both sides of the Atlantic reading their material, 1950-1998.

Correspondence, [1940-1989], about his texts, mainly in regard to the work of William Wordsworth and John Bunyan, including one photocopy of a letter from Professor Clive Staples Lewis about Bunyan, 1963; proofs, offprints and typescript texts, reflecting Sharrock's own literary work (including poems), and literary criticism including Spiritual autobiography in the pilgrim's progress , Keats and the young lovers , preface for Classic English short stories 1989; copy of a booklet by Sharrock The chemist and the poet: Sir Humphry Davy and the preface to lyrical ballads (Reprinted from Notes and Records of the Royal Society of London, vol 17, no 1, May 1962).

George Charles Moore Smith's undated transcripts, first lines and titles of 17th-century poems before 1660. The sources include British Library Additional MSS, MSS Sloane, Lansdowne, Dyce, Harleian and Egerton; Oxford University, Bodleian Library, MS Ashmole, MS Malone, MS Rawlinson Poet; Corpus Christi Library, Oxford, MS 32B; Cambridge University Library, Add MS 4138; manuscripts at St John's, Emmanuel, Jesus and Corpus Christi Colleges, Cambridge; commonplace books including those by Anthony Scattergood and W E Preston; poets including Anthony Sleep, Thomas Coriat, Peter Hausted (Halstead), Edward Forset, John Eliot, Henry Molle and Thomas Masters. Much of the material is written on the reverse of examination scripts in English (some identified as University of Sheffield).

Papers of and relating to Evelyn Underhill, 1874-1997 and undated, comprising personal correspondence of and concerning Underhill, 1888-1969 and undated, the correspondents including Baron Friedrich von Hugel (three letters, 1911-1916), Underhill's husband Hubert Stuart Moore (117 letters from Underhill to Moore, 1890-1912 and undated, and 30 letters from Moore to Underhill, 1898-1906 and undated), Rabindranath Tagore (typed transcripts of 10 letters from Underhill to Tagore, 1913-1914), and members of the Underhill family, the subjects ranging from Catholicism, travels in Italy, Switzerland and France, publications and lectures, spiritual matters and advice, mysticism, health, and World War Two; correspondence, 1907-[1954], with various publishers concerning Underhill's publications (some posthumous) and broadcasts, including copyright, costs, sales and royalties; manuscripts and typescripts containing proposed holiday itineraries and recording Underhill's impressions while travelling in Italy, Switzerland and France, 1898-1899, 1901-1907; poetry, 1917-1923 and undated, including some work which was published; a speech at King's College London on being elected a Fellow, 1927; an article on 'The Fountain of Life: an iconographical study', published in 1910; material relating to spiritual development, 1921-1939, mainly under the guidance of Baron Friedrich Von Hugel and including transcripts of his letters, 1921-1924, and other items on spiritual advice, confessions, goals and progress; papers relating to retreats and religious writings, 1924-1932 and undated, including notebooks and texts of addresses; printed material by and concerning Underhill, 1926-1941, 1990, including some of her publications; press cuttings, 1891-1949, mainly reviews of Underhill's work but also including early published pieces; sketchbooks and drawings, 1892-1911 and undated, including sketches and watercolours of marine scenes in Britain, ecclesiastical subjects, and Italian and French architecture; photographs, c1925-c1930s and undated, including a photograph and negatives of Underhill (one at Pleshey), a portrait of Baron Von Hugel, marine views, and views of French and Italian castles and towns; material relating to the Underhill family, 1874-1940, including the marriage certificate of Evelyn Underhill's parents, 1874, a family tree, c1891, a copy of Evelyn Underhill's will, 1940, and details of books in Dr Williams's Library, London, which originated from Underhill's library; obituaries of and articles about Underhill, 1941-1997, including theses, bibliographies, memoirs, biographical material and reflections on her work; newsletters of the Evelyn Underhill Association, 1992-1997.

Sheet music book containing 'Sonata by Signor Vento', presumably Mattia Vento, written in manuscript for voice and accompaniment by an unknown writer; also containing a printed page of musical terms, a manuscript poem and a sketch of a country house. Undated [18th century].

Papers of and relating to Charles Walter Stansby Williams, 1937-1946 and undated, including corrected proof of The Region of Summer Stars ; typescripts including 'Terror of Light', 'The Working of Porphyry', 'Taliessin in the Rose Garden', and 'Prologue' to a production of The Way of the Cross by Henry Gheon; memorabilia relating to Williams, including three photographs, and obituaries.