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Papers of Jeremy Adler, 1975-2002 chiefly comprising research notes for publications by Adler and photocopies of concrete and visual poems. Includes papers relating to Franz Baermann Steiner, poet, including correspondence and papers on Steiner and his circle, 1995-1999; photocopies of Steiner's writings, photocopies of letters to Steiner; photocopies of Stiener's appointment diary, 1950-1951; Stiener's thesis entitled 'A Comparitive Study of the Forms of Slavery', 1950 and 'Prologomena to A Comparitive Study of Slavery', a shortened version of the original thesis, edited by Paul Bohannan, 1957. Correspondence and papers on concrete and visual poetry, 1982-1987 including with Piotr Rypson and Dick Higgins. Papers relating to August Stramm, poet, including publications on Stramm, papers from the Stramm working seminar, 1973-1974; notes by Adler on Stramm's poetry; photocopies used by Adler when researching Stramm, chiefly relating to World War One, from German archives and the Imperial War Museum. Research notes on topics including Shelling, 1984; eighteenth century literature and science; Paracelsus; love and war poetry; language and Caballa; and romantic science. Adler's PhD thesis 'A study in the chemistry of Goethe's novel Die Wahlverwandtschaften ', University of London, 1977 and correspondence on and photographs of Die Wahlverwandtschaften by Goethe. Copies of figured poems from Herzog August Bibliothek, Wolfenbüttel. Draft copies of Adler's Changing forms of Visual Poetry with related correspondence. Programmes for art and poetry exhibitions and events; personal files of Adler's PhD students, 1980-2002; slides and negatives used for lectures; negatives of visual poems; card indexes and videos.

The collection comprises correspondence, British Library readers' book application slips, manuscript notes on the life and career of the poet, Ben Jonson, and press cuttings; notably including letters to Arthur Diplock concerning the poetry of Jonson and of William Drummond, 1903; manuscript notes, in particular extracts from Jonson's poems, reference to the work of John Selden, John Donne and Henry Holland, lists of various editions of the works of Jonson, [1903]; British Library book application tickets for books by Jonson, signed by Diplock, 1903; press cuttings on Drummond from Reynolds's miscellany and other journals, [1857].

Papers of Alice Christiana Gertrude Meynell, 1875-1878 and 1941, comprise a book and correspondence; namely a copy of Meynell's book Preludes that she gave as a gift to the poet Robert Browning (1812-1889), in which Browning has inscribed his name and a note reading 'from the author', dated 7th June 1878.

The correspondence section comprises a letter from Browning to Meynell thanking her for giving him a copy of the book and praising the beauty of many of its poems, 1878; a letter from Wilfrid Meynell to Albert Arthur Cock (1883-1953) apologising for being unable to accept an invitation to attend some lectures and making reference to 'hundreds of German planes on their way to London and other large countries', 1941. The letters within the collection had previously been enclosed within the book which was gifted by Cock to King's College London.

The archive includes the papers, correspondence, diaries and manuscripts, recordings, research material and publications of Professor Eric Mottram and spans the period 1928-1995. Covering his own creative work and academic publications, it also reflects his wide-ranging cultural investigations in the field of twentieth century American and English literature, film, music, art, theatre and popular and material culture. A major series of files about named authors and poets covers figures as diverse as Robert Creeley, Robert Duncan, Allen Ginsberg, Michael McClure, Charles Olson, Ezra Pound, Jerome Rothenberg, Muriel Rukeyser, William Burroughs, Basil Bunting, Bob Cobbing, Roy Fisher, Bill Griffiths and Tom Raworth. Also of particular importance are a series of original tape recordings, mainly made by Mottram, of poets reading their work. Linked to this material is a rich series of little press publications and little magazines. The two chief aspects of Mottram's own work are reflected in his artist notebooks and essays. The former run from 1979-1988 and contain draft poems, notes on a whole range of research topics, with inserts of postcards, press-cuttings, photographs, cartoons, artworks and postage stamps to create a rich wallet of collage effects. The essay series, including published and unpublished material and supporting notes, reflects his wide-ranging contribution over nearly half a century to the teaching of American and English literature. Major groupings within the archive are as follows: personal papers including appointment diaries, 1951-1995, and correspondence with Ted and Joan Wilentz, 1963-1994; papers reflecting Mottram's own poetry including notebooks, and manuscripts, 1956-1995; papers reflecting his publications including reviews and collaborations, 1952-1988; editorial papers notably for The Poetry Review; correspondence with and/or papers relating to twentieth century creative writers, 1928-1998; little press publications, 1954-1998;little magazines, 1942-1998; papers relating to academic teaching, research and administration, [1952]-1994; Mottram's essay texts and associated material, 1947-1995; promotional material for literary events and from publishers, 1945-1958; artworks and posters, 1953-1994; photographs by Mottram, 1950-1995; and recorded material notably including original recordings of poets from both sides of the Atlantic reading their material, 1950-1998.

Papers of Edgar Prestage, 1881-1949, largely relating to his work on the history of Portugal, 16th-19th centuries. Letters to Prestage from various correspondents, 1886-1948 and undated, relate to a variety of subjects pertaining to his work, publications and translations, sources and interpretation, and also to acquaintances and contemporaries, other publications, and some personal matters such as correspondents' health and families, and include six letters from Fortunato de Almeida, 1917-1933 and undated; 24 letters from Joao Lucio de Azevedo, 1914-1933 and undated; 13 letters from Pedro Augusto de S Bartolomeu de Azevedo, 1910-1927 and undated; six letters from Henrique de Gama Barros, 1908-1925; five letters from Carlos Roma du Bocage, 1915-1918; three letters from Sir Richard Francis Burton, 1888-1889, and 12 letters from Lady Isabel Burton, 1894-1896, relating to Sir Richard's translation of Camoens; 22 letters from Julio de Castilho, 1908-1918; nine letters from Harold Castle, 1903-1906; six letters from Fidelino de Figueiredo, 1911-1918 and undated; eight letters from James Fitzmaurice-Kelly, 1905-1919; five letters from Anselmo Braamcamp Freire, 1905-1919; two letters from Pieter Geyl, 1923, 1926; letter from William Ewart Gladstone, 1893, congratulating Prestage on Letters of a Portuguese nun ; ten letters from Edward Heawood, 1922-1933; letter from Benjamin Jowett, 1887, explaining entrance examinations at Oxford; five letters from Margery Lane, 1927 and undated; six letters from Manuel de Oliveira Lima, 1910-1927; two letters, 1928, 1932, from Manuel II, King of Portugal, concerning the monarch's bibliography of early Portuguese books; eight letters from Jacinto Octavio Picon, 1911-1920; seven letters from Jacinto Inacio de Brito Rebelo, 1895-1908; eight letters from Jaime Batalha Reis, 1894-1896, 1904-1905, 1922; 12 letters from Francisco Rodrigues, 1913-1918, 1930 and undated; two letters from John Ruskin, 1886 and undated, on the study of architecture; seven letters from Antonio Maria Jose de Melo Cesar e Meneses, 5th Conde de Sabugosa, 1905-1913; five letters from Luis Teixeira de Sampayo, 1921-1928; letter from Herbert Louis Samuel, 1st Viscount Samuel, 1905, congratulating Prestage on Eca de Queiroz's The sweet miracle ; five letters from Georg Schurhammer, 1930-1936; five letters from Wilhelm Storck, 1894-1895; five letters from Herbert Thurston, 1905-1913; ten letters from Pedro Tovar de Lemos, 2nd Conde de Tovar, 1916-1927 and undated; 13 letters from Carolina Michaelis de Vasconcellos, 1895-1896, 1907-1922, and 11 letters from her husband, Joaquim de Vasconcellos, 1897, 1908-1925; six letters from Afonso Lopes Vieira, 1910, 1914, 1927 and undated; five letters from Tomas Maria de Almeida Manuel de Vilhena, 8th Conde de Vila Flor, 1925-1929 and undated; letter from Oscar O'Flahertie Wills Wilde, [1892], regretting he cannot send a copy of his unnamed play (perhaps Lady Windermere's Fan ) as it has not yet been published. There is also a letter of 1881 from Antonio Candido Goncalves Crespo to Maria Amalia Vaz de Carvalho (father and mother of Prestage's wife). Ephemera includes signatures of Gomes Eannes Azurara, William Wordsworth, [? Isaac] Disraeli and Samuel Wilberforce; Christmas cards; the visiting card of S T P Kruger, President of the Transvaal Republic, 1903; menus, including the House of Commons Coronation luncheon in Westminster Hall, 1902; a ticket to the coronation of Edward VII, 1902; and an invitation to a party at Windsor Castle, 1912. Otherwise the collection comprises research notes and transcriptions on various subjects and sources, including Restoration period Portugal; Sousa Coutinho; Portuguese in Africa, Brazil and Asia; the War of the Spanish Succession; 17th century Portuguese history, including diplomacy; the sermons of Father Antonio Vieira SJ; Portuguese bibliographies prepared by Prestage; annotated typescripts on the Portuguese in Abyssinia down to 1543, aspects and results of Portuguese colonisation, and Portuguese reminiscences (1948); Prestage's 'The Mode of Government in Portugal during the Restoration Period'; photographs of Portuguese fortresses in Morocco; notebook on 'Analyse das "Cartas Familiares" '; copies of letters of F de Sousa, including his embassies to France and Rome; copies of letters of Sir R Southwell, English ambassador to Lisbon; material relating to relations between Spain and Portugal; pamphlets and articles of Prestage; proofs for a chapter entitled 'L'Intevention Anglaise dans la Peninsule Iberique', in an envelope addressed to Prestage and labelled 'D Fernando & the Holy See by E Perroy'.