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Facsimiles of four editions of World War One Western Front trench newspapers, The New Church Times and The Kemmel Times, each of which was incorporated within The Wipers Times, 8 May-3 Jul 1916. While the names of many of the contributors have not survived, the chronicles they presented in the newspaper detail vividly the war conditions on the Western Front. Articles were often spontaneous, preserving the jargon, slang, character, and conversation of the soldiers' surroundings. Although the reader is confronted with all the stark images of the Western Front, these are masked with a humourous irony which demonstrated the spirit of comradeship that prevailed in the British Army

Papers of Tom Wintringham and his second wife Katherine 'Kitty' Wintringham ( née Bowler), 1891-1982. Papers of Tom Wintringham relating to the Home Guard include correspondence, articles, radio broadcasts, press cuttings, photograph, report, lecture transcripts and training exercises. Papers relating to the Common Wealth Party including correspondence, photographs, minutes, publications, papers on Common Wealth Party policy, formation, resignations, libel charges, election campaigns and conferences. Other papers relating to Tom Wintringham including papers from his time at Balliol College, Oxford, 1918-1920; Wintringham's visit to Moscow, 1920; various inventions by Wintringham, 1929-1949; the Communist Party, 1933-1944; British economic crisis, 1947, and obituaries and biographical articles. Wintringham's correspondence includes his school days, First World War, prison, Spanish Civil War, Home Guard, Common Wealth Party and general personal and professional correspondence; Kitty's correspondence includes Spanish Civil War, the Common Wealth Party and general personal and professional correspondence. Photographs notably cover the Spanish Civil War, Home Guard, Common Wealth Party, Tom and Kitty Wintringham, their children, friends and family. Writings by Wintringham include draft and published articles (chiefly for the Picture Post , the Tribune , the Daily Herald and the Daily Mirror ), drafts of published and unpublished books, scripts, reviews, notes, short stories and essays. Draft articles by Kitty. Poems by Wintringham and others on topics including World War One and the Spanish Civil War, 1910-1950 and printed material, 1923-1950.

Papers of and relating to Charles Walter Stansby Williams, 1937-1946 and undated, including corrected proof of The Region of Summer Stars ; typescripts including 'Terror of Light', 'The Working of Porphyry', 'Taliessin in the Rose Garden', and 'Prologue' to a production of The Way of the Cross by Henry Gheon; memorabilia relating to Williams, including three photographs, and obituaries.

Wartime diaries, typescript correspondence, memoirs and poetry by Victor West, concerning the campaign in Greece, Crete and as a prisoner of war during World War Two, with recent poetry, 1941-1999; notably including a bound typescript memoir, 'The loss of Creforce Reserve: "The side show"', written 1981, including list of officers and other ranks of 9 Bn, King's Royal Rifle Corps, killed in Greece and Crete, 1941, and a copy article, 'The Rangers in Greece and Crete: a story of devotion and toil', printed 1941 in the house magazine of the Gas Light & Coke Ltd; 3 volume bound typescript memoir, 'Wash me in the water: a personal account of the first Greek campaign, 1941. The battle for Crete, including the story of the loss of Creforce Reserve', written 1983; bound typescript 1941 personal war diary, a transcription of West's original diary; bound typescript copy letters to West from a Spanish fellow POW, Sgt Basilio Marin, 1944-1945 and photocopy typescript and manuscript notes (untitled) on the Crete campaign, 1941; bound typescript 'We from Crete: Pep talks in Stalag 383', written 1982, relating to life in a POW camp (first and second drafts); bound typescript, 'Escape involuntary (we couldn't help it)', recounting West's escape from a POW camp, Germany, Apr 1945; Victor West, The horses of Falaise: poems on the experiences of a fighting soldier in World War II (Salamandar Imprint, London, 1975), bound photocopy; Victor West, Part 2 orders: WWII poems (Salamandar Imprint, London, 1999), bound photocopy; notes on West's career and on the history of 1 Rangers, King's Royal Rifle Corps; copy correspondence and illustrations relating to a painting by West presented to Winston Churchill, 1955.

Sheet music book containing 'Sonata by Signor Vento', presumably Mattia Vento, written in manuscript for voice and accompaniment by an unknown writer; also containing a printed page of musical terms, a manuscript poem and a sketch of a country house. Undated [18th century].

Papers of and relating to Evelyn Underhill, 1874-1997 and undated, comprising personal correspondence of and concerning Underhill, 1888-1969 and undated, the correspondents including Baron Friedrich von Hugel (three letters, 1911-1916), Underhill's husband Hubert Stuart Moore (117 letters from Underhill to Moore, 1890-1912 and undated, and 30 letters from Moore to Underhill, 1898-1906 and undated), Rabindranath Tagore (typed transcripts of 10 letters from Underhill to Tagore, 1913-1914), and members of the Underhill family, the subjects ranging from Catholicism, travels in Italy, Switzerland and France, publications and lectures, spiritual matters and advice, mysticism, health, and World War Two; correspondence, 1907-[1954], with various publishers concerning Underhill's publications (some posthumous) and broadcasts, including copyright, costs, sales and royalties; manuscripts and typescripts containing proposed holiday itineraries and recording Underhill's impressions while travelling in Italy, Switzerland and France, 1898-1899, 1901-1907; poetry, 1917-1923 and undated, including some work which was published; a speech at King's College London on being elected a Fellow, 1927; an article on 'The Fountain of Life: an iconographical study', published in 1910; material relating to spiritual development, 1921-1939, mainly under the guidance of Baron Friedrich Von Hugel and including transcripts of his letters, 1921-1924, and other items on spiritual advice, confessions, goals and progress; papers relating to retreats and religious writings, 1924-1932 and undated, including notebooks and texts of addresses; printed material by and concerning Underhill, 1926-1941, 1990, including some of her publications; press cuttings, 1891-1949, mainly reviews of Underhill's work but also including early published pieces; sketchbooks and drawings, 1892-1911 and undated, including sketches and watercolours of marine scenes in Britain, ecclesiastical subjects, and Italian and French architecture; photographs, c1925-c1930s and undated, including a photograph and negatives of Underhill (one at Pleshey), a portrait of Baron Von Hugel, marine views, and views of French and Italian castles and towns; material relating to the Underhill family, 1874-1940, including the marriage certificate of Evelyn Underhill's parents, 1874, a family tree, c1891, a copy of Evelyn Underhill's will, 1940, and details of books in Dr Williams's Library, London, which originated from Underhill's library; obituaries of and articles about Underhill, 1941-1997, including theses, bibliographies, memoirs, biographical material and reflections on her work; newsletters of the Evelyn Underhill Association, 1992-1997.

George Charles Moore Smith's undated transcripts, first lines and titles of 17th-century poems before 1660. The sources include British Library Additional MSS, MSS Sloane, Lansdowne, Dyce, Harleian and Egerton; Oxford University, Bodleian Library, MS Ashmole, MS Malone, MS Rawlinson Poet; Corpus Christi Library, Oxford, MS 32B; Cambridge University Library, Add MS 4138; manuscripts at St John's, Emmanuel, Jesus and Corpus Christi Colleges, Cambridge; commonplace books including those by Anthony Scattergood and W E Preston; poets including Anthony Sleep, Thomas Coriat, Peter Hausted (Halstead), Edward Forset, John Eliot, Henry Molle and Thomas Masters. Much of the material is written on the reverse of examination scripts in English (some identified as University of Sheffield).

Correspondence, [1940-1989], about his texts, mainly in regard to the work of William Wordsworth and John Bunyan, including one photocopy of a letter from Professor Clive Staples Lewis about Bunyan, 1963; proofs, offprints and typescript texts, reflecting Sharrock's own literary work (including poems), and literary criticism including Spiritual autobiography in the pilgrim's progress , Keats and the young lovers , preface for Classic English short stories 1989; copy of a booklet by Sharrock The chemist and the poet: Sir Humphry Davy and the preface to lyrical ballads (Reprinted from Notes and Records of the Royal Society of London, vol 17, no 1, May 1962).

The archive includes the papers, correspondence, diaries and manuscripts, recordings, research material and publications of Professor Eric Mottram and spans the period 1928-1995. Covering his own creative work and academic publications, it also reflects his wide-ranging cultural investigations in the field of twentieth century American and English literature, film, music, art, theatre and popular and material culture. A major series of files about named authors and poets covers figures as diverse as Robert Creeley, Robert Duncan, Allen Ginsberg, Michael McClure, Charles Olson, Ezra Pound, Jerome Rothenberg, Muriel Rukeyser, William Burroughs, Basil Bunting, Bob Cobbing, Roy Fisher, Bill Griffiths and Tom Raworth. Also of particular importance are a series of original tape recordings, mainly made by Mottram, of poets reading their work. Linked to this material is a rich series of little press publications and little magazines. The two chief aspects of Mottram's own work are reflected in his artist notebooks and essays. The former run from 1979-1988 and contain draft poems, notes on a whole range of research topics, with inserts of postcards, press-cuttings, photographs, cartoons, artworks and postage stamps to create a rich wallet of collage effects. The essay series, including published and unpublished material and supporting notes, reflects his wide-ranging contribution over nearly half a century to the teaching of American and English literature. Major groupings within the archive are as follows: personal papers including appointment diaries, 1951-1995, and correspondence with Ted and Joan Wilentz, 1963-1994; papers reflecting Mottram's own poetry including notebooks, and manuscripts, 1956-1995; papers reflecting his publications including reviews and collaborations, 1952-1988; editorial papers notably for The Poetry Review; correspondence with and/or papers relating to twentieth century creative writers, 1928-1998; little press publications, 1954-1998;little magazines, 1942-1998; papers relating to academic teaching, research and administration, [1952]-1994; Mottram's essay texts and associated material, 1947-1995; promotional material for literary events and from publishers, 1945-1958; artworks and posters, 1953-1994; photographs by Mottram, 1950-1995; and recorded material notably including original recordings of poets from both sides of the Atlantic reading their material, 1950-1998.

Collection of Frida Mond relating to German literature including poems and letters, 1794-1831, by and concerning Johann Wolfgang Von Goethe and a manuscript page (undated) of Wilhelm Tell by Johann Christoph Friedrich Von Schiller; portraits, busts and reliefs of Goethe and Schiller, some of which (including some photographs) are copies of original material held elsewhere; other relics and memorabilia relating to them, some postdating their deaths; and relics comprising jewellery, clothing, hair, possessions and portraits of Lotte Buff (Charlotte Buff, 1753-1828, friend of Goethe 1772).

Records, 1961-2000, relating to the original and new series of the periodical Modern Poetry in Translation and associated projects. The material pertains to languages including Afrikaans, Bulgarian, Chinese, Czech, Danish, Dutch, Finnish, French, German, Greek, Hebrew, Hungarian, Icelandic, Italian, Japanese, Norwegian, Persian, Polish, Portuguese, Rumanian, Russian, Spanish, Swedish, Turkish and Yiddish. Publications comprise issues 1-44 of the magazine, 1965-1982, covering poetry from a wide range of sources including countries in Europe, the Middle East, Central and South America, Asia and Russia; MPT Year Book (1983); MPT programme for Poetry International 71 (1971); Poetry World (1986); and an Anthology of Twentieth Century Russian Poetry (1974), edited by Max Hayward and Daniel Weissbort. There are also files of translated poems, undated, from sources including various countries in Europe, Central and South America, and Asia. The bulk of the records comprises correspondence, covering all aspects of MPT 's organisation including discussion with publishers, printers and distributors; decisions on the content of future issues and work by guest editors; correspondence with translators on specific projects and the general theory of translation; and many letters from translators offering their services, demonstrating the wave of enthusiasm of which MPT was part. The first series of correspondence, covering 1961 to 1984, relates to issues 1-6 (1965-1969, when MPT was published by Cape Golliard) and includes files on particular countries and related translators; organisations including the Arts Council and Gulbenkian Foundation; individuals including Ted Hughes and his involvement with MPT ; distribution in Britain and America. The second series, 1966-1984, relates to the independent production of the magazine from 1969 and also to the Year Book (1983), and comprises some files on particular countries and their translators but also more general files covering aspects of production and admininstration over particular periods. The third series, 1964-1984, relates to translation projects in which Daniel Weissbort, editor of MPT , was engaged outside MPT . Subsequent deposits relate largely to the revival of MPT from 1992 and include papers on MPT , 1978-2000, among them translations, correspondence, reviews, biographical information and ephemera; papers relating to Poetry World after its launch in 1986; files relating to new series issues of MPT , comprising correspondence and translations; printed material including issues 1 and 2 of the new series, 1992; and working papers of Professor Norma Rinsler, 1993-1994 and undated, relating to the MPT new series and the Second International Poets Festival in Jerusalem, 1993, and including typescript poems and information on poets.

Papers of Alice Christiana Gertrude Meynell, 1875-1878 and 1941, comprise a book and correspondence; namely a copy of Meynell's book Preludes that she gave as a gift to the poet Robert Browning (1812-1889), in which Browning has inscribed his name and a note reading 'from the author', dated 7th June 1878.

The correspondence section comprises a letter from Browning to Meynell thanking her for giving him a copy of the book and praising the beauty of many of its poems, 1878; a letter from Wilfrid Meynell to Albert Arthur Cock (1883-1953) apologising for being unable to accept an invitation to attend some lectures and making reference to 'hundreds of German planes on their way to London and other large countries', 1941. The letters within the collection had previously been enclosed within the book which was gifted by Cock to King's College London.

The collection mainly comprises correspondence, manuscript poems by George MacDonald, photographs, material relating to the membership of the George MacDonald Society and the publication of its journal, North wind , papers relating to plays performed by MacDonald and his family, and offprints of articles and ephemera including lecture timetables, 1845-1997, mainly compiled by Mrs Freda Levson; notably including original correspondence addressed to MacDonald and copies of letters from family members and friends such as his wife, Louisa Powell MacDonald, and John Ruskin, principally on MacDonald's health problems, Octavia Hill, Ruskin's relationship with Rose La Touche, MacDonald's preaching technique and on aspects of theology including the doctrine of providence, 1845-1932; correspondence between members of the Troup family, friends of the MacDonalds, including Charles Edward Troup and Frank Troup, with photographs and extracts from the Troups' published works, 1883-1995; correspondence with William Raeper, author of a biography entitled George MacDonald (Tring, 1987), compiled during its research, including with Lion Publishing, with surviving family members, and with libraries, notably the British Library and Yale University Library, 1984-1987; correspondence with Freda Levson and Richard MacDonald, descendants of George MacDonald, 1970-1982; photographs of MacDonald and family, his various residences and of visits by the George MacDonald Society to Bordighera, Italy, [1860-1986]; manuscript poems by MacDonald, 1876-1887; material relating to the staging of Pilgrim's progress and other drama by MacDonald, 1877-1977; copies of contributions to the journal of the George MacDonald Society, North wind , with proofs of the journal and supporting documentation, 1976-1996; press cuttings and reviews of publications and lecture tours by MacDonald, and of modern editions of his work, 1871-1997; timetables of lectures delivered by MacDonald, copies of library holdings of manuscript material on MacDonald, 1869-1985.

Papers relating to his life and career, 1924-1971, principally comprising papers relating to his work as British Ambassador to Jordan, 1956-1959, including newspaper cuttings concerning the termination of the Anglo-Jordan treaty of 1948, 1956-1959, and correspondence relating to the stationing of British troops in Jordan, 1958; papers relating to his work as Governor, Commander-in-Chief and High Commissioner, Aden, 1960-1963, dated 1960-1970, including his official reports to the Foreign Office on his visits to the Protectorate states, 1960-1962, his correspondence with King Hussein of Jordan, 1960-1962, newspaper cuttings relating to the merging of Aden with the South Arabian Federation of Arab Emirates, 1960-1963; correspondence concerning British policy towards the South Arabian Federation, particularly the withdrawal of British troops from Aden, 1964-1970; his official report to the Foreign Office concerning the trials in Madrid of opponents of the Franco regime, 1950; notes, cuttings and correspondence concerning Britain's policy towards Japan, 1931-1941, and the signing of the Japanese Peace Treaty, 1951, dated 1971-1975; notes on Australian personalities and contacts written for Sir Morrice James, Johnston's successor as High Commissioner of Australia, 1971; drafts,typescripts, correspondence and reviews of published memoirs The view from Steamer Point (Collins, London, 1964), Mo and other originals (Hamilton, London, 1971) and The brink of Jordan (Hamilton, London, 1972); notes and fragments of unpublished memoirs, dated 1936-1985, mainly relating to his service in the Foreign Office, 1936-1939, Japan, 1939-1942, and Australia, 1965-1971. Photographs, [1938]-1971, principally comprising official photographs relating to his service in Jordan, Aden and Australia. Papers relating to published and unpublished poetry and translations, principally comprising drafts of For Leagros and other poems (Basil Blackwell, Oxford, 1940), Towards Mozambique and other poems (Cresset Press, London, 1947), Estuary in Scotland (privately published, 1974), Poems and Journeys (Bodley Head, London, 1979), Rivers and fireworks (Bodley Head, London, 1980), Talk about the last poet (Bodley Head, London, 1981), Choiseul and Talleyrand (Bodley Head, London, 1982), The Irish lights (Bodley Head, London, 1983) and translations of Turgenev, Pushkin and Lermontov.

Correspondence, 1968-1973, relating to Johnson's work as Poetry Editor of Transatlantic Review , and English translations by Johnson and Ned Thomas of Welsh language poems by David Gwenallt Jones; typescript of Travelling people, 1963. First edition copies of House Mother normal: a geriatric comedy (Collins, London, 1971), Travelling people (Constable, London, 1964), and The unfortunates (Panther, London, 1969).

Collection consists of seven issues of the East Africa Command monthly magazine Jambo, Dec 1944-Jun 1945. The issues include fiction, service information, East Africa cultural articles, verse, and illustrations relating to British service in East Africa during World War Two, and notably contain articles by Damon Runyon, (William) Somerset Maugham, and J(ohn) B(oynton) Priestley

Private papers of Duffy, [1960-1994], mainly comprising typescripts, manuscripts and proofs of her novels, plays and poems including The single eye (Hutchinson, London, 1964), The erotic world of faery (Hodder and Stoughton, London, 1972), Capital (Cape, London, 1975), Gor saga (Eyre Metheun, London, 1981), Illuminations (Sinclair-Stevenson, 1991), Occam's razor (Sinclair-Stevenson, London, 1993), and Henry Purcell (Fourth Estate, London, 1994); notes, reviews, performing scripts, talks and related material concerning her writings.

The collection comprises correspondence, British Library readers' book application slips, manuscript notes on the life and career of the poet, Ben Jonson, and press cuttings; notably including letters to Arthur Diplock concerning the poetry of Jonson and of William Drummond, 1903; manuscript notes, in particular extracts from Jonson's poems, reference to the work of John Selden, John Donne and Henry Holland, lists of various editions of the works of Jonson, [1903]; British Library book application tickets for books by Jonson, signed by Diplock, 1903; press cuttings on Drummond from Reynolds's miscellany and other journals, [1857].

Volume containing a compilation of poems and narratives, composed by, Pedro António Joaquim Corrêa Garção (1724-1772); José Anastácio da Cunha (1744-1787), mathematician and poet; Sebastião José Ferreira Barroco (1777-1802); Luiz Pinto de Sousa Coutinho Balsemão (1735-1804); João Xavier de Matos (d 1789); Francisco José de Sales; Damiaó José Saraiva; Domingos dos Ras Guitta.