Papers of and relating to Evelyn Underhill, 1874-1997 and undated, comprising personal correspondence of and concerning Underhill, 1888-1969 and undated, the correspondents including Baron Friedrich von Hugel (three letters, 1911-1916), Underhill's husband Hubert Stuart Moore (117 letters from Underhill to Moore, 1890-1912 and undated, and 30 letters from Moore to Underhill, 1898-1906 and undated), Rabindranath Tagore (typed transcripts of 10 letters from Underhill to Tagore, 1913-1914), and members of the Underhill family, the subjects ranging from Catholicism, travels in Italy, Switzerland and France, publications and lectures, spiritual matters and advice, mysticism, health, and World War Two; correspondence, 1907-[1954], with various publishers concerning Underhill's publications (some posthumous) and broadcasts, including copyright, costs, sales and royalties; manuscripts and typescripts containing proposed holiday itineraries and recording Underhill's impressions while travelling in Italy, Switzerland and France, 1898-1899, 1901-1907; poetry, 1917-1923 and undated, including some work which was published; a speech at King's College London on being elected a Fellow, 1927; an article on 'The Fountain of Life: an iconographical study', published in 1910; material relating to spiritual development, 1921-1939, mainly under the guidance of Baron Friedrich Von Hugel and including transcripts of his letters, 1921-1924, and other items on spiritual advice, confessions, goals and progress; papers relating to retreats and religious writings, 1924-1932 and undated, including notebooks and texts of addresses; printed material by and concerning Underhill, 1926-1941, 1990, including some of her publications; press cuttings, 1891-1949, mainly reviews of Underhill's work but also including early published pieces; sketchbooks and drawings, 1892-1911 and undated, including sketches and watercolours of marine scenes in Britain, ecclesiastical subjects, and Italian and French architecture; photographs, c1925-c1930s and undated, including a photograph and negatives of Underhill (one at Pleshey), a portrait of Baron Von Hugel, marine views, and views of French and Italian castles and towns; material relating to the Underhill family, 1874-1940, including the marriage certificate of Evelyn Underhill's parents, 1874, a family tree, c1891, a copy of Evelyn Underhill's will, 1940, and details of books in Dr Williams's Library, London, which originated from Underhill's library; obituaries of and articles about Underhill, 1941-1997, including theses, bibliographies, memoirs, biographical material and reflections on her work; newsletters of the Evelyn Underhill Association, 1992-1997.

The archive includes the papers, correspondence, diaries and manuscripts, recordings, research material and publications of Professor Eric Mottram and spans the period 1928-1995. Covering his own creative work and academic publications, it also reflects his wide-ranging cultural investigations in the field of twentieth century American and English literature, film, music, art, theatre and popular and material culture. A major series of files about named authors and poets covers figures as diverse as Robert Creeley, Robert Duncan, Allen Ginsberg, Michael McClure, Charles Olson, Ezra Pound, Jerome Rothenberg, Muriel Rukeyser, William Burroughs, Basil Bunting, Bob Cobbing, Roy Fisher, Bill Griffiths and Tom Raworth. Also of particular importance are a series of original tape recordings, mainly made by Mottram, of poets reading their work. Linked to this material is a rich series of little press publications and little magazines. The two chief aspects of Mottram's own work are reflected in his artist notebooks and essays. The former run from 1979-1988 and contain draft poems, notes on a whole range of research topics, with inserts of postcards, press-cuttings, photographs, cartoons, artworks and postage stamps to create a rich wallet of collage effects. The essay series, including published and unpublished material and supporting notes, reflects his wide-ranging contribution over nearly half a century to the teaching of American and English literature. Major groupings within the archive are as follows: personal papers including appointment diaries, 1951-1995, and correspondence with Ted and Joan Wilentz, 1963-1994; papers reflecting Mottram's own poetry including notebooks, and manuscripts, 1956-1995; papers reflecting his publications including reviews and collaborations, 1952-1988; editorial papers notably for The Poetry Review; correspondence with and/or papers relating to twentieth century creative writers, 1928-1998; little press publications, 1954-1998;little magazines, 1942-1998; papers relating to academic teaching, research and administration, [1952]-1994; Mottram's essay texts and associated material, 1947-1995; promotional material for literary events and from publishers, 1945-1958; artworks and posters, 1953-1994; photographs by Mottram, 1950-1995; and recorded material notably including original recordings of poets from both sides of the Atlantic reading their material, 1950-1998.

Records, 1961-2000, relating to the original and new series of the periodical Modern Poetry in Translation and associated projects. The material pertains to languages including Afrikaans, Bulgarian, Chinese, Czech, Danish, Dutch, Finnish, French, German, Greek, Hebrew, Hungarian, Icelandic, Italian, Japanese, Norwegian, Persian, Polish, Portuguese, Rumanian, Russian, Spanish, Swedish, Turkish and Yiddish. Publications comprise issues 1-44 of the magazine, 1965-1982, covering poetry from a wide range of sources including countries in Europe, the Middle East, Central and South America, Asia and Russia; MPT Year Book (1983); MPT programme for Poetry International 71 (1971); Poetry World (1986); and an Anthology of Twentieth Century Russian Poetry (1974), edited by Max Hayward and Daniel Weissbort. There are also files of translated poems, undated, from sources including various countries in Europe, Central and South America, and Asia. The bulk of the records comprises correspondence, covering all aspects of MPT 's organisation including discussion with publishers, printers and distributors; decisions on the content of future issues and work by guest editors; correspondence with translators on specific projects and the general theory of translation; and many letters from translators offering their services, demonstrating the wave of enthusiasm of which MPT was part. The first series of correspondence, covering 1961 to 1984, relates to issues 1-6 (1965-1969, when MPT was published by Cape Golliard) and includes files on particular countries and related translators; organisations including the Arts Council and Gulbenkian Foundation; individuals including Ted Hughes and his involvement with MPT ; distribution in Britain and America. The second series, 1966-1984, relates to the independent production of the magazine from 1969 and also to the Year Book (1983), and comprises some files on particular countries and their translators but also more general files covering aspects of production and admininstration over particular periods. The third series, 1964-1984, relates to translation projects in which Daniel Weissbort, editor of MPT , was engaged outside MPT . Subsequent deposits relate largely to the revival of MPT from 1992 and include papers on MPT , 1978-2000, among them translations, correspondence, reviews, biographical information and ephemera; papers relating to Poetry World after its launch in 1986; files relating to new series issues of MPT , comprising correspondence and translations; printed material including issues 1 and 2 of the new series, 1992; and working papers of Professor Norma Rinsler, 1993-1994 and undated, relating to the MPT new series and the Second International Poets Festival in Jerusalem, 1993, and including typescript poems and information on poets.

Notes and papers, 1911-1952, of David Morrice Low, including scrapbook of news cuttings and pictures, 1911-1913; printed Marlborough school lists, 1914-1918, and extracts from school rules, 1916; list of Oriel men on service; notes on Italy and Latin, 1924-1925 and undated; notes on teaching classics and mathematics [1914-1921]; notes, manuscripts and typescripts for novels or short stories; material relating to Low's novel Twice Shy (1933) including notes, reviews, and a contract with Chatto & Windus; other material relating to Chatto & Windus, 1927-1933; notes on Greece and Nice; manuscript notes and letter, 1927, from V H Collins on 'Scotticisms'; manuscript personal notes on his mother, childhood, first memories, use of language and attitude to women; typescript note on role as examiner of English, 1940; notebooks on Edward Gibbon, some dated 1934-1935, from various sources including Gibbon's journal and letters; printed catalogue of Gibbon's library, 1934, and typescript essay on it; photographs of portraits of Gibbon and places associated with him; typescripts on 'The Grand Tour'; notes on aeronautical terminology in Spanish and Portuguese [1941-1943]; offprint of E M Wilson, 'La Estroga Sexta de la Cancion a la Flor de Guido', Miscelanea (1952), dedicated to Low; Enid Marx, The Pigeon Ace [undated].

Papers, 1929-1988, containing articles relating to law by Graveson, correspondence with academic institutions and publishers concerning Graveson's articles, reviews by Graveson of others' work, texts of lectures and addresses given by Graveson, contributions to various law committees and law conferences, Graveson's notes taken as a law student, and papers of the Commonwealth-American Legal Studies course, 1959-1965. Printed material, 1923-1977, including books and articles by Graveson, and law reviews, journals and periodicals collected by him, many relating to legal education. Theses, 1935-[1957], containing various drafts and manuscripts of Graveson's theses, including chapters written by Graveson for A century of family law (1857-1957) with Francis Roger Crane (Sweet & Maxwell, London, 1957).

Records of the magazine Adam International Review and its editor, Miron Grindea, 1941-1995, and associated papers dating back to c1903, consisting of a wide range of material dealing with aspects of British and European cultural activity, particularly since the 1930s, and relating to art, literature, music, literary criticism, and the history of ideas. The archive includes the Adam International Review , issues 152-499 (wanting 186, 210-211, 218, 224-228, 331-54), 1941, 1946-1988, and indexes; microfilm copies of nos 13-14, 65, 148-149, 151, and issues dating from 1936 and 1938; and published copies of Christopher Fry, 'Genius, Talent and Failure: the Brontes' (The Adam Lecture 1986); Yehudi Menuhin, 'Tolerance' (The Adam Lecture 1987); Frances Stern, 'A Concordance to Proust' (Adam Books, 1987); 'Miron Grindea 1909-1995: a Celebration'. Unpublished papers of the Review were created by or relate to many prominent writers, artists and musicians of the 20th century including Natalie Clifford Barney, Samuel Beckett, Max Beerbohm, Nicolas Bentley, Isaiah Berlin, Edmund Blunden, Agatha Christie, Jean Cocteau, Ivy Compton Burnett, Cyril Connolly, Benedetto Croce, Cecil Day-Lewis, Lawrence Durrell, T S Eliot, George Enescu, E M Forster, Christopher Fry, William Golding, Duncan Grant, Robert Graves, Graham Greene, L P Hartley, Storm Jameson, Augustus John, Arthur Koestler, F R Leavis, Rose Macaulay, Compton Mackenzie, Thomas Mann, Katherine Mansfield, Walter de la Mare, John Masefield, Somerset Maugham, Yehudi Menuhin, Arthur Miller, Henry Miller, Joan Miro, Henry Moore, Iris Murdoch, Pablo Picasso, Anthony Powell, J B Priestley, Marcel Proust, Herbert Read, Jean Rhys, Ralph Richardson, Vita Sackville-West, Jean Paul Sartre, Siegfried Sassoon, Ronald Searle, George Bernard Shaw, Georges Simenon, the Sitwell family, C P Snow, Stephen Spender, Frances Stern, August Strindberg, Dylan Thomas, Arnold Wesker, Angus Wilson, Stefan Zweig, and others. Other material relates to the management of the magazine and includes editorial material (notes, proofs, preparatory research material, and correspondence required for production of an issue) and papers relating to circulation. The material is varied in form and comprises correspondence, manuscripts, typescripts, proofs with author's and editor's corrections and printed documents, including poems, stories, and criticism, both published and rejected for publication; photographs; original drawings and illustrations; news cuttings and other ephemera such as programmes for events; tape recordings including the Adam lectures, 1985-1987; and interview transcripts.